Paddy Taylor of MRMC on the Future of Broadcast Solutions and Innovations
We spoke with Paddy Taylor, Head of Broadcast Solutions at MRMC. With a wealth of experience in broadcast technology and automation, Paddy has been instrumental in leading MRMC’s innovations that are reshaping the industry. In this exclusive interview, we'll delve into the latest advancements from MRMC and how they are pushing the boundaries of broadcast solutions.

Please provide an overview of your company’s latest innovations and products that will be showcased at the International Broadcasting Conference?
At IBC 2024, MRMC Broadcast will be showcasing our full range of broadcast and videography robotics, demonstrating our ability to capture every angle through a wide range of compelling camera motion solutions. We are exhibiting alongside Nikon Europe and RED, and partnering with Disguise and ROE to demonstrate a compelling workflow that brings together the very best in image capture, robotics and virtual production.
At the show, we will also announce the latest addition to our flagship robotic arm range, the StudioBot LT, which was recently used by ITN in the UK for ITV’s coverage of the general elections. Designed for permanent or semi-permanent studio productions, the StudioBot LT is quick to set up, offers unrivaled flexibility with a wide envelope of motion, and is very cost-effective. With this arm, content creators can drastically increase output quality within a small footprint making it an ideal jib replacement tool or a solution for creating significant motion in a small space.
At the show, we will also announce the latest addition to our flagship robotic arm range, the StudioBot LT, which was recently used by ITN in the UK for ITV’s coverage of the general elections. Designed for permanent or semi-permanent studio productions, the StudioBot LT is quick to set up, offers unrivaled flexibility with a wide envelope of motion, and is very cost-effective. With this arm, content creators can drastically increase output quality within a small footprint making it an ideal jib replacement tool or a solution for creating significant motion in a small space.
How do you anticipate the trends and developments in broadcasting technology influencing the industry in the next few years?
The sudden UK election and recent sporting events have highlighted the value that camera robotics can bring to complex live productions, particularly where there are lengthy field pieces to camera and long debates. Advanced integration capabilities are vital to enable camera motion within virtual set extensions and augmented reality workflows.
In temporary set-ups where space is restricted, this level of integration allows the broadcaster to drastically increase their creative output. Remote control and automation capabilities also help to ease the workload when under pressure on staff. Remote connectivity directly to the camera robot means operators can focus on the quality of the output without the additional pressure of having to capture the live shot.
In temporary set-ups where space is restricted, this level of integration allows the broadcaster to drastically increase their creative output. Remote control and automation capabilities also help to ease the workload when under pressure on staff. Remote connectivity directly to the camera robot means operators can focus on the quality of the output without the additional pressure of having to capture the live shot.
In what ways do you believe your products can address the evolving needs of broadcasters and content creators?
Every content creator has a different problem to solve. MRMC has 60 years of expertise in motion control that enables us to create unique solutions. Each solution also has inherent benefits which allow our customers to meet specific objectives, whether that’s to reduce CAPEX costs over time, meet sustainability policies, be positioned as pioneers in innovative output, or provide operating teams with more creative freedom.
Can you share any case studies or success stories where your products have significantly enhanced broadcasting operations or content production?
For the summer games, we were able to supply one of our customers with a StudioBot XL rental to use in their small studio space in Paris. This was quick to set up and easy to establish a connection with their remote production facility. The StudioBot was used as the main camera for onsite reporting but was primarily controlled remotely from the other side of the world. This meant that the broadcaster was able to drastically reduce costs and meet sustainability targets.
Where can we find you (booth number) at the show and keep up with you (URL, social media handles?)
MRMC has two stands at IBC this year: MRMC Broadcast on 11.C28 and MRMC Motion Control on 12.C20. All information is available at www.mrmoco.com. Follow MRMC Broadcast on Facebook, Instagram, and TikTok @mrmcbroadcast.
Featured Booths
- AJA: 2.G105a, 7.B19
- Adobe: 13.D501, 7.B35
- ARRI: 12.F21
- Atomos: 11.D25
- Blackmagic Design: 6.MS5, 7.C49
- Canon Europe: 10.HR, 11.C40, 11.C41
- Fujifilm: 12.B20
- Avid: 7.B59, 7.R101
- CoreSWX: 12.C55
- LiveU: 7.C19
- Marshall Electronics: 11.A17
- OWC: 7.A60
- Quantum: 7.B55
- Sony: 13.A10, 13.D201